Vindauga Baby

The design theme from my Vindauga Blanket just stayed in my brain after I knit the first one, demanding to be knit in more variations! And when that design theme met with my experiments in 2-dimensional gradients (or matrices), the result was the Vindauga Baby Blanket, which I’ve finally managed to publish the pattern for.

You can buy the Vindauga Baby Blanket pattern on Ravelry. I’ve also dyed a small number of kits, you can find them at my Etsy shop. The colorways are purple-blue (dyed with cochineal and indigo – sold out), red-blue (dyed with madder and indigo) and green-blue (dyed with weld, mugwort, and indigo).

From a set of 9 skeins of matrix-dyed yarn (on the left) to the Vindauga baby blanket.

I’ve now written the pattern, had it test knit, and corrected over and over again. It’s finished, and now published in Danish and English. I’ll be the first to admit that actually finishing a pattern is not my favorite part of the process from idea to pattern. But if I don’t pull myself together at some point, then my ideas end up as just that – ideas in my head.

But dyeing the matrix mini skeins is a lot of fun. I’ve worked with these 2-dimensional gradients for some time now, but it’s still difficult to get them just exactly right!

First, I dye gradients of red, pink, or red with madder, cochineal, weld, tansy, or mugwort. I make 3 skeins of each. Then, I overdye with an indigo gradient, giving each of the 3 identical skeins a different indigo overdye. This may not sound difficult, but both steps are hard to control.

When dyeing with cochineal and madder, I find that the first bath always gives a more intense color than the second one. But sometimes, the second and third give about the same. It’s also difficult to control the exact shade of blue with indigo dyeing. One factor is how long you dip skeins in indigo, another factor is the number of dips. But the amount of available indigo in the vat also changes over time. Even after making many sets of matrix dyed skeins, it’s still a challenge!

indigo overdye
Yellow, red, and white skeins soaking on the left. On the right, similar skeins in an indigo bath. The temperature is 52 degrees, pH is 9-10. Everything is under control!

See projects on Ravelry:

Bilskirner, the Final Prototypes

I’ve finally completed my prototypes for a child and adult version of the hat that I’ve decided to call Bilskirner. The design changed a bit since the first prototype… My family was not impressed with the rib edge on the first prototype, so my hands were tied. I had to make a garter edge in the final version, and I must admit it looks better.

hats1

hatsonly

In Norse mythology, Bilskirner is the home of the thunder god Thor. According to one of the Icelandic manuscripts called Grímnismál, Bilskirner with its 540 rooms is the largest building known. There are a lot of translations of Grímnismál (you can see some here), here’s one that I like:

Five hundred rooms and forty withal
I ween that in Bilskirnir be;
of all the halls  which on high are reared
the greatest I see is my son’s.

I imagine the huge home of the thunder god as an angular complex, and it feels like a match with my simple geometric unisex design.

And talking of a big angular complex, we went to one such and that’s actually where we took the top snapshots of us wearing the hats: on the roof of the new Moesgaard Museum outside Aarhus. I love the way this building rises out of the ground, it gives you the feeling that the ancient objects on display are somehow still under the ground

moesgaard

Plus, there’s the view from the top of the roof, you can see the land at the other side of the bay (Mols)

viewfromroof

We saw the exhibition there of the  Chinese terracotta soldiers that were found alongside the first emperor. They were truly beautiful!

terracotta

FACTS – BILSKIRNER HAT

Pattern Bilskirner, my pattern that is now ready for test knitting. Comment below if you want to test the pattern

Yarn Guldfaxe 100 m/50 g 100% alpaca

Needle 4.5 mm

Colors Gradient from madder to tansy, on a natural white background

Conclusion I’ve had good fun designing this hat. The rib edge on the first version drew the eye away from the color pattern, so I’m happy with the garter edge on the final version. At this point, all that remains is to race off to my dye pots to make some more color schemes!

Bilskirner Hat Prototype

I dyed this gradient a while ago, using madder and tansy, and the plan was initially a Bohus-style hat. But the yarn kept talking to me, and it said that it wanted something with much cleaner lines…

So I knit a hat with a very simple pattern of squares on a white background. Simple geometric, and in some way, a masculine decoration (although I think this hat looks good on a woman, too). So I decided to call this pattern Bilskirner, which is the home of Thor, possibly the most masculine of gods. I’m still thinking about a Bohus-ish hat, so that may still happen.

hat_0204

I tried to take some picures of the hat on the head of my sweet, sweet 5-year old daughter Dagmar, but she was just not in the mood for having her picture taken. The mood of the day shifted dramatically, though, when I asked her to take pictures of me instead. The camera is too heavy for her, so she couldn’t even keep it upright. But it didn’t matter so much to her that she didn’t catch the entire hat on most of her pictures, she was still very proud of them!

hat_0206

 

FACTS – BILSKIRNER HAT

Pattern Bilskirner, a pattern that I’m currently writing

Yarn Guldfaxe 100 m/50 g 100% alpaca

Needle 4 mm

Colors Gradient from madder to tansy, on a natural white background

Conclusion An enjoyable project – the alpaca is wonderfully soft, and I’m happy with the stranded square pattern. But I’m going over the shaping of the crown again to improve it before I write down this pattern

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A Gradient in Madder and Tansy

I love color gradients! They somehow make the colors pop in a different way! Some of the individual colors in my gradient hat were not remotely exciting, but together, it’s another story.

I kept imagining a warm gradient, from red to yellow. Sometimes such daydreams stay just that, but with this, I have come incredibly close to what I imagined:

grad

The red end of the gradient is madder, while the yellow end is tansy stalks and leaves (I used the flowers for something else already).

I achieve nice reds from madder by using rainwater. Some of my early attempts with madder gave only dull salmon shades because I used tap water, so now I always use rain.

It’s well known that madder contains two dye molecules, a red and a yellow one, and that the yellow is released when you increase the heat above 65C. So I always heat the dye bath to 62C (or “roastbeef” on my meat thermometer) and then wrap the entire pot in a blanket. That keeps it warm until the next day, and it saves a lot of energy.

FACTS – MADDER

Mordant 10% alum

Water Rain

Yarn 100% alpaca, 110 m / 50 g

Yarn:Dyestuff ratio 1:1

Conclusion Rainwater and heating to less than 62C gives reproducible good results

For the yellow end of my gradient, I used tansy that I picked at the roadside on walks close to my house last summer. As expected, the stalks and leaves gave a cold yellow – the flowers give a warm yellow.

FACTS – TANSY STALKS AND LEAVES

Mordant 10% alum

Water Tap

Yarn 100% alpaca, 110 m / 50 g

Yarn:Dyestuff ratio 1:2 dry

Conclusion Cold yellow, supposedly a good light and wash fast one

Possible Improvements Leaves are difficult to remove from yarn – this is a dyestuff that could benefit from straining before yarn is added

And that’s it. The oranges in the middle of the gradient are madder exhaust baths, the last one overdyed with tansy yellow to make the transition smooth.

The next part of the daydream consists of a Bohus-style hat knit with this color gradient. I’m doodling away on paper right now to get it right before I start knitting. To be continued!

Jeg er vild med farvegradienter. Denne her fra rød over orange til varm gul har jeg lavet med kraprod og stilkene af rejnfan fra sidste sensommer.

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Gradient Hat

I’m in hat knitting mode right now! As soon as this hat was finished, I had the next one on the needles. The pattern, a Danish one called “hue 1” (that just means hat 1, the book has more than one hat) really makes my brain go berserk with color scheme after color scheme.

hatfromside

I’ve cheated a bit since I didn’t only use naturally dyed yarns for this project: the black background consists of different commercial yarns from my stash.

FACTS – GRADIENT HAT
Pattern hat 1 by Lone Gissel and Tine Rousing, Nordiske masker
Yarn Supersoft 100% wool 575 m/100 g (plus some commercial stuff)
Needle 4.5 mm
Colors Privet berries (from our garden, winter) Indigo + tansy (bought + collected from the roadside, summer) Reed flowers on grey yarn (collected from the seaside, summer) Yarrow (collected from the roadside, summer) Mixed lichens (collected in the forest – this was bits and pieces I couldn’t type and in the end just swept into the dye pot) Parmelia sulcata (a lichen, collected in the forest) Dyer’s polypore (Phaeolus schweinitzii) (a mushroom, collected in the forest, fall).
Conclusion Love it! The colors, the fit, the fox fur
hatalone
It’s often been said that any naturally dyed colors fit together, and I do think that is the case. I did take some care lining up colors that blended well one into the other, but they were not very hard to find in my big basket.
Another observation: I think natural dyeing is the best kind of yarn tourism. When I look at the hat and its colors, I’m immediately taken back to the places where I collected the dye stuffs.Well, not so much the privet berries from our garden, but other wonderful places we walked during the nicest months of 2014.Just one example. The reed flowers are from our august summer vacation in the southern part of Denmark, right on the border with Germany. I picked my flowers by the ocean, and I just had some fun trying to find the exact spot on the map. And I did it! The exact coordinates are 54.894576, 9.626491, and you can even see the mass of reed growing there when you use the max zoom of the map… Right next to a tiny harbor where you can stand on the planks and watch crabs hurrying around on the bottom. And when you look over the water, you can see Germany. Imagine, all that worn on a hat in the form of a stripe of yellow-green yarn!
Mønsteret til hatten er er fra Nordiske Masker af Lone Gissel og Tine Rousing, og det mønster bliver ved med at køre rundt i mit hovede i forskellige farvekombinationer! Her har jeg strikket den på en sort baggrund som er fabriksgarn, jeg havde liggende. Regnbuen fra grøn til varm gul er mine egne naturfarvede nøgler.

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